 |
|
As the cinematographer on SUB- I was excited to explore the medium of High definition video, and to use the Panasonic varicam to tell the story of SUB-. One the of leading decisions in choosing the varicam was its capability to capture images at variable frame rates, and to shoot in progressive scan mode. SUB- was filmed at 15 fps to contrast 'Vira', our main protagonist's movement, with the rest of the performers. I had not worked with HD before, and I only had a couple of days to learn how to use it. Gerry Brooks from Rexel was great in providing us with use of the camera, but also in the additional technical support required to understand the menus and what looks could be achieved. After a short testing period I decided to change some of the settings from the presets to achieve a greater dynamic range but also to have the flexibility to manipulate the image in the grade. I set the master gamma to 0.4, master ped +3 and turned the detail completely off to –31, and rated the camera @ 500 asa. The Panasonic varicam was a great platform to create the magical, post-apocalyptic images of SUB-. I was extremely amazed at the large contrast range and the film-like image produced by this camera. For further information about Panasonic varicam visit the Panasonic site or contact Gerry Brooks at Rexel Australia on +61 (0)2 9887 6222 Fujinon 10:1 zoom lens Other equipment I used was provided by Laurie Hitchens from Fujinon Australia, who gave us a cine 10:1 zoom (10mm - 100mm) lens to use. I opted for a zoom lens to give the performers more flexibility to move around the set, and I was also able to extend the shot of the crane movement with the lens to capture some of the details. This was a strategy I adopted so as not force the actors to hit marks, as the shoot was very demanding on performers, because of the intensity of action within each take. The Fujinon lens was exceptional in low light, giving exceptional clarity and sharpness to each image. Additionally, there was very minimal lens breathing when adjusting focus. Overall, the lens really gave justice to the mystical look of the film. For more information about Fujinon 10:1 lens visit www.fujinon.co.jp/en/products/cine/index.htm or contact Laurie Hitchins at Fujinon Australia on + 61 (0) 2 9748 2744 or visit their website www.fujinon.co.jp Carl Robertson |
Panasonic Varicam